February 28 - Astonishing


[Seeing the light, understanding Theory thoroughly, ready to take Quiz 6, sometime after 7:55am, Thursday, March 7, at Diablo Valley College, Pleasant Hill, CA]


Grand Staves 

Instrumental-Vocal (Bracket and Barline)



Keyboard (Brace and Barline)


(N.B. Barline above is extending upward to an unseen instrumental grand staff)

Choral music is sometimes noted with keyboard-style grand staff - e.g. 2-staff chorales / hymns

While typical Clef Placement is Treble above and Bass below,
it is possible to have two Treble Clefs, or two Bass Clefs



Voices - Approximate Ranges

Soprano (S)
Alto (A)
Tenor (T)
Bass (B)

https://en.wikipedia.org/wiki/Voice_type



Four-Part Voicings of Closed-Spacing Root-Position Chords (Triads), 
Bass and Treble Clefs, Doubled Roots

Keyboard Style

                      S       5th                  Root              3rd
Treble Clef    A      3rd        or       5th       or     Root
                      T      Root                3rd                5th

Bass Clef       B     Root                Root             Root




Vocal Style

                      S          5                  R                3
Treble Clef    A         3                  5                 R
                                            or                or
                      T          R                 3                 5
Bass Clef      B          R                 R                 R




https://en.wikipedia.org/wiki/Chord_(music)

https://en.wikipedia.org/wiki/Harmony 


More Root-Postion Figured-Bass Symbols

5 - alter the 5th above the bass in indicated fashion

Natural Sign - Cancels any Flat or Sharp in Key Signature for designated distance above bass




b - Flat the indicated distance above the bass



(N.B. in Baroque Figured Bass, isolated accidentals imply alterations to the 3rd above the bass)


A, E Major; E / C Minor


Typical pentascale fingering

R.H. 1 2 3 1 2 3 4 5

L.H. 5 4 3 2 1 3 2 1

https://en.wikipedia.org/wiki/A_major

https://en.wikipedia.org/wiki/E_major

https://en.wikipedia.org/wiki/E_minor

https://en.wikipedia.org/wiki/C_minor


Keyboard-Solfege

Antonio Vivaldi (1678-1741) - The Four Seasons (1723): I. Spring: I. Allegro


Solfege in E: Mi Mi Mi Re Do Sol Sol Fa (repeat)

E-Major Pentascale:

R.H. 3 3 3 2 1 5 5 4

L.H. 3 3 3 4 5 1 1 2

https://en.wikipedia.org/wiki/The_Four_Seasons_(Vivaldi)

https://www.youtube.com/watch?v=TKthRw4KjEg



Music Referenced in Week 6


Carlo Gesualdo (1566-1613) - Moro, Lasso (Alas, I Die, 1610)

https://www.youtube.com/watch?v=6dVPu71D8VI
(Recording and Score)

https://en.wikipedia.org/wiki/Carlo_Gesualdo

https://www.allmusic.com/composition/moro-lasso-al-mio-duolo-madrigal-for-5-voices-book-6-w-6-74-mc0002361403


Claudio Monteverdi (1567-1643) - L'Orfeo (Orpheus, 1607): Tu se Morta (You Are Dead)

https://www.youtube.com/watch?v=OGm5TNbA1r4

https://en.wikipedia.org/wiki/Claudio_Monteverdi

https://en.wikipedia.org/wiki/L%27Orfeo

http://imslp.org/wiki/L%27Orfeo,_SV_318_(Monteverdi,_Claudio)


Heinrich Schutz (1585-1676) - Saul, Saul (1650)

http://markalburgermusichistory.blogspot.com/2008/06/heinrich-schutz-1585-1672-saul.html
(N.B. Best heard/viewed on Firefox)

https://en.wikipedia.org/wiki/Heinrich_Schütz

https://www.reddit.com/r/classicalmusic/comments/43mym9/heinrich_schutz_saul_saul_was_verfolgst_du_mich/

http://imslp.org/wiki/Saul%2C_Saul%2C_was_verfolgst_du_mich%3F%2C_SWV_415_(Schütz%2C_Heinrich)


Arcangelo Corelli (1683-1713) - Church Trio Sonata in E Major, Op. 3, No. 7: I. Grave

https://www.youtube.com/watch?v=wx9ZpOMdWZs

https://en.wikipedia.org/wiki/Arcangelo_Corelli

https://en.wikipedia.org/wiki/Trio_sonata

http://imslp.org/wiki/12_Trio_Sonatas%2C_Op.3_(Corelli%2C_Arcangelo)


Henry Purcell (1659-1695) - Dido and Aeneus (1688): Thy Hand, Belinda / When I Am Laid in Earth

https://www.youtube.com/watch?v=uGQq3HcOB0Y
(Vocal / Bass Line Score)

https://en.wikipedia.org/wiki/Henry_Purcell

https://en.wikipedia.org/wiki/Dido_and_Aeneas

http://imslp.org/wiki/Dido_and_Aeneas,_Z.626_(Purcell,_Henry)


Antonio Vivaldi (1678-1741) - Gloria: I. Gloria

https://en.wikipedia.org/wiki/Antonio_Vivaldi

https://www.youtube.com/watch?v=XQx2TWgxX14
 
https://en.wikipedia.org/wiki/Gloria_(Vivaldi)

http://imslp.org/wiki/Gloria_in_D_major,_RV_589_(Vivaldi,_Antonio)


Johann Sebastian Bach (1685-1750)

https://en.wikipedia.org/wiki/Johann_Sebastian_Bach

- Organ Toccata in D Minor (1707)

https://www.youtube.com/watch?v=KU1p7iBSlw8
(Score)

https://en.wikipedia.org/wiki/Toccata_and_Fugue_in_D_minor,_BWV_565

- Organ Fugue in G Minor ("Little") (1709)

https://www.youtube.com/watch?v=z6Kq60w-AXk
(Score) 

https://en.wikipedia.org/wiki/Fugue_in_G_minor,_BWV_578

- Organ Passacaglia in C Minor (1713)

https://www.youtube.com/watch?v=STij8KmsgcI
(Score Manuscript!)

https://en.wikipedia.org/wiki/Passacaglia_and_Fugue_in_C_minor,_BWV_582

-The Well-Tempered Clavier, Book I (1722): I. Prelude No. 1 in C Major

https://www.youtube.com/watch?v=otbpdAS2kbw
(John Kirkpatrick, Clavichord, with Score!)

https://www.youtube.com/watch?v=HlXDJhLeShg
(Entire Book I, Harpsichord, with Score!)

https://en.wikipedia.org/wiki/The_Well-Tempered_Clavier


George Frideric Handel (1685-1759) - Messiah: Hallelujah

https://www.youtube.com/watch?v=n4LDVrnAQeo
(Keyboard-Vocal Score)

https://www.youtube.com/watch?v=2iXmIjpGsGc&p=FA3F0EFACB26D72D&playnext=1&index=2
(Live Early-Music performance)

https://en.wikipedia.org/wiki/George_Frideric_Handel

https://en.wikipedia.org/wiki/Messiah_(Handel)

https://en.wikipedia.org/wiki/Messiah_Part_II

http://imslp.org/wiki/Messiah,_HWV_56_(Handel,_George_Frideric)
(Full Score - 44. Hallelujah, at bottom of listings)

***


J.S. Bach's Organ Passacaglia in C Minor and Well-Tempered Clavier: I. Prelude in C Major for the Theoreticians, as well as


Quiz 5, with examples drawn from works of Josquin des Pres, Costanza Festa, Henry VIII, Louis Bourgeois, and Claudio Monteverdi,


on





the



57th


day


of


spring,


high


down a


point to


60 (N.B. above calendar re sunshine for the month,  not to be taken seriously vis temps or precip -- adieu [or perhaps adiable] to the Weather Underground website, though the phone map app remains absolutely magnificent) -- with


Fairfield at 61 and


Pleasant Hill 59.


Return


in


dramatically


improving


conditions


to


take


another


jaunt on the 


Pony Express route,


now from


Vacaville Courtyard


to


behind


Formerly-Known-as-Kinko's,


paralleling 80


southwest,


stopping into


the


hotel


briefly,


then


rendezvous-ing with Harriet


for


errands


about


town,


before


beginning the


editing of


new-edition Mice and Men, Op. 45: Act V, Scene 1, plus finishing



Broke Dance Intermezzi: C, Op. 299

with

    IVc12. Cortisone Courtesan Cortege (Petite)
            Claude Debussy, Henri Busser, Harrison Birtwistle


and



        IVc13. Confounded Country (Occidentally Willing)…
            Henry Purcell, Anton Webern, Bob Wills and his Texas Playboys, Mark Alburger

--- respectively 2 / 4 pages total, with the complete work clocking in at 112...